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It's interesting how many readers have taken to side or disgress with Reynolds, on the grounds of a supposely in depth analysis of the box's time frame; but at the core I can only see his dislike for the genre (page one of the article), serving as a rule to judge every song as not hip-hop like (or black enough).
Maybe on a future review we can enjoy another journey into his mind -which is fine, but should find it's way to the article's title or first line blurb- or rather, a judgement based on the merits of the songs themselves, but not for what they are not.