Letters to the Editor
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Two exceptions re thrillers and cinematography:
No good thrillers these days - I know it was a while ago but I've only just seen it: Unfaithful, an Adrian Lyne film. Looks great, is great.
No good cinematography - how about Collateral? That was stunning - don't know who the DP was. Also some very good looking low budgeters lately like 'Friends with Money' which I think might have been even shot on digital. And then there's HBO - those last episodes of Sex and the City shot in Paris - BEAUTIFUL cinematography. I can vividly remember some of the set ups as I sit here: Carrie running through Paris at night, the street lights blinding the lens. Carrie sitting in a cake shop lonely and stuffing her face. All of it gorgeous looking.