Letters to the Editor

Letters posted here are associated with the following article:
"I'm Not There" This dazzling film explores the idea of Bob Dylan, "poet, prophet, outlaw, fake, star of electricity."
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  • Hmm

    You know, I have to say... he's not dead yet. Isn't it a bit tawdry to be mythologizing him this way?

  • somewhere . . .

    Somewhere there is an alternate universe where the sun rises in the east, where the Chicago Cubs keep winning the World Series, and where there is a critic who will knock Bob Dylan.

    He wrote some good songs, but I know of no other artist where there is such a large gap between the cogniscenti and the average person. No other artist where, if the cogniscenti didn't know it was Dylan, they'd look at the lyrics and say, "What is this crap?"

  • Leoniceno

    Dylan has been mythologizing, and re-mythologizing, himself since the early sixties. That's the point of the film.

  • What amazes me about Dylan

    Is that one might say about individual pieces that each piece is crap, but when one considers the whole, the huge pile of it, the size and the variety and the length, it simply trancends crap.

  • The circus is in town

    My favorite scene in the film is when "Dylan" comes tumbling onto the screen with the Beatles in an obvious homage to Richard Lester and the early Beatles films. Dylan (Quinn) then has to tear himself away from his friends and get back to the business of being a legend. His confrontations with the media, as epitomized by Bruce Greenwood's Mr. Jones, are the stuff of myth. It takes another genius to understand a genius. Mr. Jones can only "know there's something happening," but he can't know what it is. Dylan and the Beatles are "song and dance men" (to quote Dylan in another context) who happened along at just the right time to musically define an era. We can love or hate them or both (both Dylan and John Lennon were called the devil), but we can never understand them, anymore than we can understand God.

  • captcrisis, two songs just to illustrate a point.

    This

    My love she speaks like silence,

    Without ideals or violence,

    She doesn't have to say she's faithful,

    Yet she's true, like ice, like fire.

    People carry roses,

    Make promises by the hours,

    My love she laughs like the flowers,

    Valentines can't buy her.

    In the dime stores and bus stations,

    People talk of situations,

    Read books, repeat quotations,

    Draw conclusions on the wall.

    Some speak of the future,

    My love she speaks softly,

    She knows there's no success like failure

    And that failure's no success at all.

    The cloak and dagger dangles,

    Madams light the candles.

    In ceremonies of the horsemen,

    Even the pawn must hold a grudge.

    Statues made of match sticks,

    Crumble into one another,

    My love winks, she does not bother,

    She knows too much to argue or to judge.

    The bridge at midnight trembles,

    The country doctor rambles,

    Bankers' nieces seek perfection,

    Expecting all the gifts that wise men bring.

    The wind howls like a hammer,

    The night blows cold and rainy,

    My love she's like some raven

    At my window with a broken wing.

    Versus this:

    Well, its one for the money,

    Two for the show,

    Three to get ready,

    Now go, cat, go.

    But dont you step on my blue suede shoes.

    You can do anything but lay off of my blue suede shoes.

    Well, you can knock me down,

    Step in my face,

    Slander my name

    All over the place.

    Do anything that you want to do, but uh-uh,

    Honey, lay off of my shoes

    Dont you step on my blue suede shoes.

    You can do anything but lay off of my blue suede shoes.

    You can burn my house,

    Steal my car,

    Drink my liquor

    From an old fruitjar.

    Do anything that you want to do, but uh-uh,

    Honey, lay off of my shoes

    Dont you step on my blue suede shoes.

    You can do anything but lay off of my blue suede shoes.

  • WoW

    You really liked it didnt yu? I was able to see Superstar, hmmm at my age of course....yikes...and I have ever been a fan since. That and the fact that Cate Blanchett is just mesmerzing. Ill be there. After reading this I think it will be damn near erotic. Thanks.

  • An ineffable review of an ineffable movie about an ineffable musician

    It's whatever you want it to be.

  • I Wonder What It's Like To Peak at 25

    Yet keep going for another 40 years. Don't get me wrong, I love him and a lot of his music, but for fuck's sake, boomers! Haven't you already ruined the Beatles for me?

  • Like gods

    "We can love or hate them or both (both Dylan and John Lennon were called the devil), but we can never understand them, anymore than we can understand God."

    All I can say is: OH PLEASE!

  • Nobody has ever been able to explain

    the appeal or value of BD to me.

    He whines instead of singing. So ok, some singers sound even worse. Macy Gray comes to mind somehow.

    He is supposedly a good poet. That's one thing he has for him, but Springsteen, Neil Young and many others are as good or better.

    He did that switching-out-the-acoustic-guitar thing. People pull such stunts all the time. "We are out of bagels today, do you want a bialy?"

    My best guess is he is a good marketer.

    He plays both muse and clown artiste.

    He leaves everything open to interpretation by others. He acts passive, like Warhol, to cement his reputation in his fool followers' minds.

    He acts like the star, the ultimate star. But in this world of followers who follow based not on substance but on image, what else to expect?

    In this way his followers remind me of those who worshipped Nazi Germany even after WWII ended. They lost their own personalities once they cleaved to their leader. So they had nothing left to go back to.

    Ultimately, a case of right place, right time.

    I do like Hendrix's version of All Along The Watchtower though.

    But really, Prince is a much more talented export from Minnesota.

  • Prince

    AND Salon's own Garrison Keillor! Both great Minnesotans. (I know Salon does not OWN Garrison, but part of him resides on here)

  • Who let the ankle-biters out?

    Every decade they have something else to yip about, don't they? "He can't sing." "He's irrevelant." "He did all of his best stuff in the 60s." "He's soooo boomer." "He's propped up by the critics." ("I don't get it, bwahhhh!")

    100 years from now they will still have their spiky little teeth locked onto his pant leg. It is their fate. And not a bad fate as fates go, because Dylan will be timeless.

    "The Cuckoo is a pretty bird, she warbles as she flies

    I'm preachin' the Word of God

    I'm puttin' out your eyes

    I asked Fat Nancy for something to eat, she said, 'Take it off the shelf -

    As great as you are a man,

    You'll never be greater than yourself.'

    I told her I didn't really care

    High water everywhere"

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