Letters to the Editor

Letters posted here are associated with the following article:
The Academy has turned its back on the multiplex moneymakers and wrapped smaller indie films in its warm, glittery embrace. But Hollywood isn't crying (yet).
The letters thread is now closed.
  • Oscars - Brokeback Mountain

    CONTINUED: (I had the same problem with Crash, but it

    wasn't supposed to be funny). But there was nothing

    else, and Lion's Gate mounted an extremely aggressive

    campaign, giving the anti-Brokebackers - the senior

    males of the Academy - something to rally behind.

    People like Ebert (one of only two 100 major national

    critics who took part in a what should win poll who

    didn't support Brokeback, the other being a

    conservative from Kansas City) and Oprah Winfrey

    chimed in, and instead of condemning Curtis and

    Borgnine for their blatant homophobia, things became

    strangely, shockingly silent in Hollywood re:

    Brokeback. Everyone suddenly talked Crash - but NOT

    for Crash's newly discovered merits (it was the

    earliest release of all nominees and pretty much a

    non-event), but because the Academy decided to play it

    safe, go with politically correct Crash, and cower to

    blant bigotry. This was not a

    Warren-is-too-arrogant-so-we'll-pick-Chariots-over-Reds

    backlash. This was not Harvey Weinstein going door to

    door (literally) for Shakespeare in Love. This was a

    blatant act of cowardice by the Academy. There is

    truly no other explanation, I wish there was, but

    there is no way that they suddenly deemed it better

    when almost everyone else disagreed. The Academy had

    never been mavericks, the Picture favorite almost

    always wins. [By the way, this is not meant to chide

    Ebert & Oprah, they both cited Brokeback as a great

    film, each genuinely preferred Crash, fair enough, but

    their influence was used by others to create the illusion of

    mediocrely-received Crash as a true contender]

    I had been an Oscars fanatic since I was 8 years old,

    saw a list of major winners, and with an odd

    photographic memory remembered them all. I still do.

    And, I had disagreed with the Academy's Best Picture

    choice all but twice in the prior 20 years. But I

    realized my opinion wasn't the thing: was the Academy

    being honest? I thought they were. But now, members

    were admitting they were voting without even watching

    all the nominees, the overwhelming slam-dunk

    front-runner, because "John Wayne would roll over in

    his grave". Am I the only one incredibly offended by

    that? Gay/straight, black/white, etc., should not

    matter, we should all be

    offended because that is prejudice at its worst. And

    besides, where is the Academy's credibility if their

    members aren't forced to watch all nominees before

    voting, at least in the categories where they vote?

    Committees are appointed to nominate foreign films and

    documentaries, and I agree with that policy since

    obviously Academy members are too busy to see every

    film, whereas committee members commit to do so. It

    is it too much to ask the Academy to watch their Best

    Picture nominees, and if they feel they have a

    personal conflict with one (to put it kindly), to

    recuse themselves and not vote? And is it too much to

    ask the Academy to condemn bigotry, in whatever form,

    from their members? I still cannot believe Brokeback

    Mountain lost, although so did Citizen Kane, The

    Grapes of Wrath, Raging Bull, Dr. Strangelove, The

    Graduate, Goodfellas, Fargo, The Pianist, non-nominees

    2001, Vertigo, The Searchers, Singin' in the Rain,

    Some Like It Hot, City Lights, Touch of Evil, etc. But

    despite the greatness of these other movies,

    Brokeback's is the most egregious loss because it was

    "supposed to win" more than any other ever (playing by

    the Academy's own rules), because it so deserved the

    prize - even Paul Haggis said so in Entertainment

    Weekly ("EW: can anything stop Brokeback?; PH: No, and

    nothing should, it's a wonderful film" - good for

    Haggis). And it lost because a very large contingent

    refused to open their minds and hearts, or to even

    watch it, the antithesis of what an Academy should do.

    As a crazy avid movie buff, it is painful for me to

    shut off the Academy after 30 years, but I am done. It

    is the right thing to do. I am aware of the Academy's

    power, I don't care if my protest is in a vacuum

    (though am pleased to have discovered so many others

    who agree). But I hope it's not, because like

    everyone else, they too are slaves to almighty

    ratings. If enough people demonstrate they will not

    tolerate bigotry and cowardice, perhaps in time they

    might lose some of their luster. I hope so. Thanks for reading."

    P.S. Not even nominated, English-language only: The General, Sunrise, The Crowd, The Wedding March, Frankenstein, City Lights, Duck Soup, Top Hat, Modern Times, Make Way for Tomorrow, Bringing Up Baby, Snow White and the Seven Dwarfs,

    Gunga Din, Fantasia, The Lady Eve, To Be or Not

    To Be, Miracle of Morgan's Creek, Meet Me in St.

    Louis, My Darling Clementine, Brief Encounter,

    Stairway to Heaven, Notorious, Odd Man Out, Monsieur

    Verdoux, Letter from An Unknown Woman, Red River, Kind

    Hearts and Coronets, The Third Man, The African Queen,

    Singin' in the Rain, The Band Wagon, Rear Window,

    Night of the Hunter, Rebel Without a Cause, Bad Day at

    Black Rock, The Searchers, Paths of Glory, Sweet Smell

    of Success, Vertigo, Touch of Evil, Some Like It Hot,

    Rio Bravo, Psycho, Spartacus, The Manchurian

    Candidate, The Man Who Shot Liberty Valance, 2001: A

    Space Odyssey, The Wild Bunch, Easy Rider, Young

    Frankenstein, A Woman Under the Influence,

    Close Encounters, Manhattan, Blade Runner, Sophie's

    Choice, Once Upon a Time in America (& West), Blue

    Velvet, A Cry in the Dark, Do the Right Thing,

    Thelma and Louise, The Usual Suspects, Breaking the

    Waves, Gods and Monsters, The Truman Show, Fight Club,

    Being John Malkovich, Almost Famous, Mulholland

    Drive, Far From Heaven, Finding Nemo, Eternal

    Sunishine of the Spotless Mind, The Constant Gardner,

    A History of Violence, Before the Devil Knows You're Dead.

  • Oscars - Brokeback Mountain

    FINAL POST ON ARTICLE:

    Just a few famous nominated, deserving include Grand Illusion, The Wizard of Oz (good thing for Wizard they had 10 nominees back then or it wouldn't have made the cut- GWTW, Wuthering Heights, Stage Coach, Mr. Smith & Goodbye Mr. Chips all did much better than Oz at the nominations, those would have been the 5), The Grapes of Wrath, The Magnificent Ambersons, Double

    Indemnity, It's a Wonderful Life, Great Expectations,

    Treasure of the Sierra Madre, Sunset Boulevard,

    Streetcar Names Desire, Place in the Sun, High Noon,

    Shane, Giant, Defiant Ones, Dr. Strangelove, Doctor

    Zhivago, Virginia Woolf, The Graduate, Bonnie and

    Clyde, The Lion in Winter, Butch Cassidy, MASH,

    Clockwork Orange, Last Picture Show, Exorcist or

    American Graffiti, Cries and Whispers, Chinatown,

    Barry Lyndon, Nashville, Jaws, Network, Taxi

    Driver, All the President's Men, Star Wars, Apocalypse

    Now, Raging Bull, Reds, Raiders of the Lost Ark,

    E.T., Tootsie, Field of Dreams, Goodfellas,

    Beauty and the Beast, Pulp Fiction, The Shawshank

    Redemption, Quiz Show, Babe, Sense and Sensibility,

    Fargo, LA Confidential, Saving Private Ryan,

    Crouching Tiger, Traffic, Fellowship of the Ring, The

    Pianist, Brokeback Mountain, and oh yeah, Citizen Kane, which got only one award in 1941.